In our second part of our isolation podcasts, Alex discusses the Nikon FM and Nikon FE, two cameras that came out in the aftermath of the Olympus OM-System. The history behind these cameras, how they compare and their use in the field. Also, we welcome long time member of the Toronto Film Shooters Meetup and member of the Mississauga Leatherworkers Guild Mr Mark Rossi to discuss his own leatherworking business and the creation of Due North Leather. Due North, as you may know, is producing fine leather camera straps for a reasonable cost!
After our recent shelf queen episode (in which John spoke about his non-functioning Stereo Realist), John heard from listener Howard M. Sandler, who it turns out is quite the expert on Stereo Photography! We thought a deep dive into Stereo would be in order, and John was very happy to have Howard as a guest for this Stereo excursion. Below is an example of Howard's stereo work.
Howard was also kind enough to provide a treasure trove of links on the topic (listed below), so dive in!
Player Link Want a subscription to SilverGrain Classics and are a fan of Classic Camera Revival? Visit their shop online and buy a magazine or a subscription? Looking for a good spot to get your gear and material fix check out Burlington Camera (Burlington, ON), Downtown Camera (Toronto, ON), Film Plus (Toronto, ON), Belle Arte Camera (Hamilton, ON), Pond's FotoSource (Guleph, ON), Foto Art Camera (Owen Sound, ON). Out West there's The Camera Store (Calgary, AB) and Beau Photo Supply (Vancouver, BC). Additionally you can order online at Argentix (Quebec), buyfilm.ca (Ontario), the Film Photography Project or Freestyle Photographic. Looking for development options, check out these labs that have our support, Boréalis Photo Lab, Old School Photo Lab, The Darkroom, and Film Rescue International. Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we're at Classic Camera Revival, Twitter @ccamerarevival, and Instagram (@classiccamerarevival)!
Bill, Alex, and Alex sit down and discuss the awesome but frustrating icon of a camera, the Rollei 35!
Alex and John sit down with Jason Lane to discuss Dry Plate Photography, his love of the format that drove him to produce modern dry plates and a modern holder to allow photographers to enjoy this 19th century format that helped popularise photography.
Sometimes a camera breaks and we can't get it fixed, but we don't want to get rid of it either, so they just sit on our shelves looking pretty or in pieces. The gang also talks about getting your camera repaired.
There are some terrible cameras out there, but sometimes a camera that has a huge following and produces some amazing images. And several of these cameras are owned or rather were owned by members of the team, but they just didn't fit our style. These cameras often sit on our shelves just not used anymore, they're part of the lonely camera band.
Here at the Classic Camera Revival, we are big fans of getting things done ourselves! We love to process our own film, but today we're talking about two different things the first is creating your own photo 'zine or book and we have our special guest Matt who takes things a lot further and builds his own cameras.
We're here to take that leap from the lion's mouth and seek out that camera that we've been wanting. So today the gang discusses the cameras that they had been lusting after and either got, still looking for, or accidentally sold off.
While we could do an entire episode on one of the world's most under-rated, hidden gem cameras out there, the Nikon F90(x). It's a camera we've talked about so much before we just had to take out several other cameras that need a little more limelight. On today's episode, we'll be covering the Zenit E, Pentax Espio 115m, Canon EF, Voigtlander Vito, and the Yashica T4!
We all need that little bit extra, that extra stop, that extra degree. For that, we pick up the heavy hitters, the big glass in our camera kits. If you're someone who is an ultra-wide junky (Lens 24mm or wider) or wants only a sliver of your frame in focus (Lenses with apertures at f/1.4 or faster), this episode is for you!