Classic Camera Revival

In this episode, Alex sits down with James Lane, the high-priest of 510-Pyro. They discuss the starting of Zone Imaging and where 510-Pyro comes from. Dealing with Internet trolling and what's next for Zone Imaging in taking film chemistry into the 21st Century.

If you are looking for Sources for 510-Pyro and Zone Imaging Products, you can purchase them through the following retailers: Analogue Wonderland, Firstcall Photographic, Parallax Photographic, Process Supplies, Silverprint, Speed Graphic, Analog Space, Fotoimpex, Retrocamera, Sagrada Pelicula, CatLabs of JP, Freestyle, Northeast Photographic, Analogtheroom, Thuong Xanh,

Not ready to jump onto the self-development and 510-Pyro bandwagon? These labs will do the work for you!

Analogue Films, Come Through, East Coast, Leicester Lo-Fi, Silverpan, Traia, CatLabs of JP, Gelatin Labs, North East Photographic, Analog Space, Sagrada Pelicula, Analogtheroom, LLab, Thuong Xanh

Today Bill Smith sits down with Amy Jasek, better known as Texas Girl Photography across the wide Internet World and is a regular contributor to the Film Shooter Collective. Amy and Bill talk about her inspiration from her father in the wide world of photography. Her first camera and the lessons he taught her on developing and printing in a darkroom. Even if it was only hanging out with her dad and growing up with photography, her passion for the craft came in her 20s. Also, the importance of dabbling and photographing what you love and are interested in photographing. The love of cameras, printing, and the frugal film project all come up throughout the episode.

You can find Amy's work online at:
Web: texasgirlphotography.com
Instagram: instagram.com/amyjasek

As a podcast that promotes ourselves as helping to feed photographers GAS (Gear Acquisition Syndrom), it can be a breath of fresh air to help people find ways to reduce the amount of GAS that they suffer from. But in light of our previous episode and talking about keeping things simple, the team decided to sit down and discuss ways to help reduce GAS. Through everything from looking critically at your gear to determining what you needed and wanted to do with your equipment. And how to help get this gear into other people's hands who will use it rather than let it sit collecting dust. And how to still get that thrill of the purchase by spending money wisely, getting a new lens, flash, filter or a roll of your favourite film. Not always go with the cheap option just because you can, but you will miss out on the camera you want. The team then gets into a good set of roundtable questions about photography in general and getting started.

We're at the start of a new Season! And why not have a trip around the table to discuss our team's goals, resolutions, projects and other photographic things we're each looking forward to through 2023? The common theme throughout our goals is to work on our physical and mental health. Also, working through backlogs, various group projects and getting more work in physical form!

Did you know our team is all on Instagram? You can follow our accounts if you like our work or want to get the inside track of our goals!
Alex Luyckx - @AlexLuyckxPhoto
John Meadows - @JohnGMeadows
Bill Smith - @wbsmith200
Jess Hobbs - @JessHobbsPhoto
James Lee - @james.lee.photo

We've made it here to the end of another year and another season of the Classic Camera Revival! So why not join the whole team, John, Jess, Chris, Bill and Alex, as we talk about everything we have been using and working with throughout 2022? It's a classic round table to round out the year.

There are no saxophone solos in this episode because we aren't heading into the Danger Zone, but rather the Dangerfield Zone. Join Alex, John, and Bill as they discuss cameras and films that just get no respect! Subjects include Miranda Cameras, the Nikon FM10, Nikkormats, 200-Speed B&W films, Fomapan 100 and Fuji Superia 200!

Let’s face it; film photography can be fairly frustrating. A lot can go wrong, and some things can be more difficult when viewed through a modern context. But then there are some cameras, films, and processes that can be worth the effort as they deliver results that are something unique or special. So join Alex, John, and Bill as they discuss what they think is worth the effort!

Topics on Today's Episode Include

• Leica M3 (Double Stroke)
• Super-Ikonta 531/2
• Adox CHS 100 II
• Printing
• Cyanotype
• Adox Scala Development (B&W Reversal)

As a follow-up to part one, where the team tackled the black & white motion picture films that have been creeping into the still photography lane, on this episode, we're talking about the colour films that are available from the motion picture world that are becoming popular among still photographers as they are more readily available. But we are also bringing in some ringers, Bill Manning and Christina Haley from the Atlanta Film Co, to give us a breakdown and something Euphoric! The Atlanta Film Co is a collaboration between Bill Manning (formerly of the Studio C-41 1 Hour Podcast), Christian Haley (Lab Manager) and Michael Beattie of Dunwoody Photo. Dunwoody was formed out of the former Wolf Camera when that store shut down to continue a full wet lab service, including film processing and true RA4 printing. Designed to serve the Dunwoody neighbourhood of Atlanta, GA, they quickly found themselves the only lab in the area that provided this service. But like all film shops these days, they began to see a major shortage of colour negative film that had gained popularity. So the Atlanta Film Co was formed to provide a ready supply of Kodak Vision3 motion picture film and to try ECN-2 processing for those using the film in their still cameras. ECN-2 processing is provided by the nearby Kodak Motion Picture Film Lab, and AFC makes two weekly runs to and from that lab. And the best part is that they offer up their worldwide sales and services (including ECN-2 processing)! The Atlanta Film Co stocks and sells Kodak Vision3 500T, 200T and 250D as their core colour negative films. But recently, they started selling Eastman E100D Colour Reversal 7294, which sells under the Euphoric 100 name. inspired by cinematographer Marcell Rév's use of the film in the show's second season and his cross-processing 7294 in ECN-2 chemistry. This inspired the name Euphoric 100, and the response has been mind-blowing.

If you want to pick up some Euphoric 100 or other Vision3 offerings, check out the Atlanta Film Co at the following locations!
Web: atlantafilmco.com
Web: dunwoodyphoto.com
Instagram: instagram.com/dunwoodyphoto
Instagram: instagram.com/atlantafilm.co

The 1970s were weird. Polyester leisure suits, disco, drugs, and all the euphoria of the post-war boom before the crashing realisation of the 1980s. But it also was a major turning point for the photography market. You had the small form factor SLR hit the stage with the Olympus OM-1 and the beginnings of automation through electronics. Many camera makers picked a direction and went with it, but Canon, Canon had to be different. They went both ways and produced two forms of semi-automatic cameras, the EF and the A-1. So in today's episode, Bill and John decide to take these two cameras out but shoot the one they aren't used to. Bill takes on the Canon A-1 while John carries around the Canon EF.

The team here digs into the cursed cameras as we get into the spooky season. Those that never worked right or had something strange going on made us want to call in a young priest and an old priest. These cameras include the Zenit 3m that John kept trying to find a working body, but at least got that sweet Helios 44 lens (in m39 mount), and even his one working body ended up having shutter issues. Bill and the Canon F-1 with a mysterious light leak due to a bad repair job. Alex and his struggles with the iconic Argus C3 and the strange tale of Nikon's first attempt at a consumer line of cameras, the Nikkorex 35|2.